Jack
I'm a proud owner of the limited edition cassette of this album because it is THAT good. It breathes fantasy and black metal like not many albums can. Absolutely fantastic experience.
Favorite track: Vagrant in the Chamber of Night.
BLOOD HARVEST RECORDS is proud to present VALDRIN's highly anticipated fourth album, Throne of the Lunar Soul, on CD, double-LP vinyl, and cassette tape formats.
No longer one of the metal underground's best-kept secrets, VALDRIN began picking up momentum with the 2018 BLOOD HARVEST release of their second album, Two Carrion Talismans - epic, shapeshifting blackened death that was both timeless and fresh - and then eclipsed that achievement two years later with third album Effigy of Nightmares, also released by BLOOD HARVEST, whereby the band dove deeply into the bluish purple depths of '90s melodic black metal. To hear comparisons to Vinterland, Sacramentum, and Sweden's Dawn wasn't mere hyperbole; it was assertive truth, as commanding as VALDRIN's songwriting mastery. Which is to say nothing of the band's ongoing Ausadjur Mythos, a fantastical tale begun with their Beyond the Forest debut album and which forms the lyrical basis of all since.
Now, continuing that tale is VALDRIN's most epic record yet: Throne of the Lunar Soul. At 11 songs in 74 minutes, LP#4 is truly a "double album" in the old-school sense - no fat or extraneous wank, only labyrinthine songs threaded together in a manner most suiting to their Ausadjur Mythos. As founding vocalist/guitarist Carter Hicks explains, "Centuries after the cataclysmic events of Beyond the Forest, Valdrin returns to his homeland, Ausadjur, in a distant realm at the center of the multiverse. There, he awaits judgment for failing in his mission to quell an insurrection of evil in the Orcus underworld, which festered beneath the forlorn planet Earth. However, a strange aura of celebration permeates the air of Ausadjur upon the return of Valdrin and his newly recruited horde, and all does not seem well in the celestial kingdom of balance."
Suitably, VALDRIN here nod to various points of their now-rich past while also pointing the way forward for ever-effervescent splendors that seem so authentically encased in 1997 that they sound impossibly fresher than anything around, "thawed" some 25 years later. With increased emphasis on dynamics as well as dramatic acoustic breaks & embellishments, the quartet leave no stone unturned in their arsenal, but each "stone" is crucial in its placement and serves a vivid purpose, such as the sometimes-subtle/sometimes-overt touch of mystical synth. Of course, VALDRIN can still race and rage with the best of any black and/or death metal band past or present, but even when the slipstreaming spires of sound threaten to become dizzying, the narrative of Throne of the Lunar Soul becomes that much deeper and more intense: not every story has a clear path, nor does it stay at the same pitch and meter. But rarely do stories ever get this grandiose and engaging. VALDRIN possess some strange (or at least elusive) magick, and in Throne of the Lunar Soul have they delivered a modern CLASSIC.
supported by 202 fans who also own “Throne of the Lunar Soul”
From Tiohtià:Ke, with utmost support and love for the Mohawk people and all Siberian First Nations descendants! Blackbraid is easily the best Black Metal project right now, heavily underrated. Carrying a fragment of my Native Siberian ancestry, every song comes with a different story about nature and its splendor! Hah-kwa 🧡 death_raven
supported by 194 fans who also own “Throne of the Lunar Soul”
The first album is already a very good one, but the second is even better! It contains again nature black metal, quite melodic, but also wild, with some folkloristic elements, full of atmosphere and performed with passion. For me, BLACKBRAID fits well into the same category as other epic one man bands like Saor, Ruadh or Pure Wrath. Besides the catchy and quite straight opener "The Spirit returns", I mention the mightiest track "Moss covered Bones on the Altar of the Moon" as my favourite song! H.L.
supported by 174 fans who also own “Throne of the Lunar Soul”
Derrick manages to bring a bit of his Dream Unending urges into Tomb Mold, and with great effect. Every track on this is a winner, but "Will of Whispers" feels the most forward-thinking, mixing melody with heaviness and a near-fusion level of musicianship. My favourite modern death metal album. jcridford